Review: The Crime of Father Amaro by José Maria de Eça de Queirós

The Crime of Father Amaro Book Cover The Crime of Father Amaro  [1875/1962] – ★★★★★

Portuguese novelist José Maria Eça de Queirós has been compared to Russian Leo Tolstoy and French Honoré Balzac, and for a good reason – his debut (without a collaboration) book The Crime of Father Amaro (translated by Nan Flanagan in 1962) is a multi-faceted novel of great ambition and skill. In it, he tells of events taking place in a small cathedral town of Leiria, north of Lisbon. Father Amaro, a handsome young priest arrives to Leiria to take the position of a parish priest and soon falls under the spell of the most beautiful girl in town – good-natured Amelia, who lives with her strict and apparently religious mother Joanneira in the heart of the city. Amaro is an honourable guest and a lodger in the comfortable house of Amelia and Joanneira, and he soon finds that his duties of a priest clash with his physical desires, and, in particular, with his burning romantic passion for Amelia. Amaro is also caught up in the town’s complex politics, in a clash between the clergy of the town and the governmental powers. The forces within Amaro, as well as from outside of his influence, conspire to lead the young parish priest to making some unprecedented choices. This beautifully-written novel may start as one’s usual tale of sympathetic and doomed love, but – and here the readers will be in for a surprise – it will finish as a more complex story that subverts all expectations. If Italy has Alessandro Manzoni’s The Betrothed [1827], Portugal can pride itself on having José Maria Eça de Queirós’s The Crime of Father Amaro; Eça de Queirós is a brave author who was not afraid to twist common literary tropes and introduce his own, unique versions of main characters, producing an unputdownable tale of one passionate love’s consequences, while also offering an insightful satire on the ways of a provincial town.

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