Review: The Crime of Father Amaro by José Maria de Eça de Queirós

The Crime of Father Amaro Book Cover The Crime of Father Amaro  [1875/1962] – ★★★★★

Portuguese novelist José Maria Eça de Queirós has been compared to Russian Leo Tolstoy and French Honoré Balzac, and for a good reason – his debut (without a collaboration) book The Crime of Father Amaro (translated by Nan Flanagan in 1962) is a multi-faceted novel of great ambition and skill. In it, he tells of events taking place in a small cathedral town of Leiria, north of Lisbon. Father Amaro, a handsome young priest arrives to Leiria to take the position of a parish priest and soon falls under the spell of the most beautiful girl in town – good-natured Amelia, who lives with her strict and apparently religious mother Joanneira in the heart of the city. Amaro is an honourable guest and a lodger in the comfortable house of Amelia and Joanneira, and he soon finds that his duties of a priest clash with his physical desires, and, in particular, with his burning romantic passion for Amelia. Amaro is also caught up in the town’s complex politics, in a clash between the clergy of the town and the governmental powers. The forces within Amaro, as well as from outside of his influence, conspire to lead the young parish priest to making some unprecedented choices. This beautifully-written novel may start as one’s usual tale of sympathetic and doomed love, but – and here the readers will be in for a surprise – it will finish as a more complex story that subverts all expectations. If Italy has Alessandro Manzoni’s The Betrothed [1827], Portugal can pride itself on having José Maria Eça de Queirós’s The Crime of Father Amaro; Eça de Queirós is a brave author who was not afraid to twist common literary tropes and introduce his own, unique versions of main characters, producing an unputdownable tale of one passionate love’s consequences, while also offering an insightful satire on the ways of a provincial town.

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Review: Miracle in the Andes by Nando Parrado

Miracle in the Andes Miracle in the Andes [2006] – ★★★★

The author of this book – Nando Parrado – is one of the sixteen survivors of the crash of the Uruguayan Air Force Flight 571 deep in the Andes in 1972. After the crash, twenty-eight survivors battled inhumane conditions high in the mountains to survive and only sixteen made it alive after seventy-two days. Even though the previous book Alive [1974] detailed the story, Parrado’s book, which came out in 2006, is a completely different account of this experience which enables us to understand what it is really like to face death every minute of one’s life, and then  – after surviving the unsurvivable –  do it all again twice. Paying a special tribute to the determination and courage of others, Parrado’s very moving and personal book is a “must-read” for everyone – so life-changing its observations and conclusions can be for a reader.  Continue reading “Review: Miracle in the Andes by Nando Parrado”

Review: Texaco by Patrick Chamoiseau

texaco book cover Texaco [1992] – ★★★★★ 

You say “History” but that means nothing. So many lives, so many destinies, so many tracks go into the making of our unique path. You dare say History, but I say histories, stories. The one you take for the master stem of our manioc is but one stem among many others.…” 

Some books shine through times, forever stirring spirits” [Chamoiseau, 1992/7: 325].

Some books have such a distinct, authentic voice, which tells of the plight of ordinary people, that they cannot fail to move their readers, defying logical book analyses. Martinique-born Patrick Chamoiseau wrote such precise book, with such a distinctive voice at the core of it, and it is called Texaco, published in French in 1992 (translated by Rose-Myriam Rejouis and Val Vinokurov in 1997). This undoubtedly great book, which received the prestigious Prix Goncourt in 1992, reads almost like a fable, rather than a story, and evades strict categorisation. What can be said for certain is that the novel is undeniably powerful in its transmission of the emotion and the message. Told through the voice of the high-spirited, determined, but disadvantaged woman Marie-Sophie Laborieux, it presents a turbulent period in the history of Martinique, the French overseas territory, and focuses almost entirely on individual lives and life episodes. At the centre of this story, which spans from 1823 to 1980, is, at first – Esternome, an ex-plantation slave, and, later, his daughter, our narrator, – Marie-Sophie, who are both determined to survive through extreme hardship and discrimination to fight for their loved ones’ and their people’s right to live and enjoy freedom on their native soil. Sometimes the story reads like a highly subjective, almost chaotic, but matter-of-fact narrative, and at other times it takes a form of a strangely lyrical and poetic piece, which is even similar to a national ballad. The story may even sometimes appear in the form of a cry or a lamentation, a strange ode to the Creole culture, language and tradition. The impressive thing is that whatever mode the novel employs or impression it gives, it never loses its vitality, its importance, its power, its emotion. This is the story of and by the generations who fought hard for their right to exist and prosper, and it is this unique perspective which makes this book so exceptional.  

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Review: Jonathan Strange & Mr Norrell by Susanna Clarke

jonathan strange & mr norrell book coverJonathan Strange & Mr Norrell [2004] – ★★★★★

Neil Gaiman called Jonathan Strange & Mr Norrellthe finest English novel of the fantastic written in the last seventy years”, and I will agree with him. It is a very long book, but it is totally absorbing from the very first page. The novel begins in autumn 1806 with Mr Segundus, a theoretical magician, wanting to know why there was no more magic done in England. He is a new addition to the society of magicians in York, England. Practical magic has declined in England and there are apparently no practising magicians left in the country. The profession of a practising magician has fallen in reputation, and Mr Segundus comes to inquire of another magician who lives in Yorkshire why this is the case. He finds, however, that not only the reclusive Mr Norrell has an established library filled with rare books on the practice of magic, he also claims to be a practising magician himself! Mr Norrell soon desires to establish himself as the only practising magician in the country. The episodic-in-nature plot is delightful to read, and, in style, it reminds of Dickens’s Bleak House [1853]. Delving into the British folklore, Clarke opens up a fascinating magical world, which you will not want to leave, and takes her task quite seriously. Inside the book, one will find a gripping adventure-mystery, great characterisation, unforgettable atmosphere, humorous sequences, and the masterful use of the language. The book’s story, format, style and language all give the impression as though the book was written back when it was set – in the 19th century. In sum, Jonathan Strange & Mr Norrell is quite brilliant in every respect, and I cannot recommend the novel highly enough. As I would like to discuss the book here in some depth, the following review will contain spoilers. Continue reading “Review: Jonathan Strange & Mr Norrell by Susanna Clarke”